I’ve already read a Matthew Collin book – This is Serbia Calling – so I was chuffed when I stumbled upon this work, a history of UK dance music culture. As a DJ and Promoter for 24 years I’m quite aware of a lot of the history of dance music in the UK. This book, however, filled in many of the gaps, and was a thoroughly entertaining and enlightening read. The well known story of how acid house culture came to the UK via Ibiza’s Summer of Love where Nicky Holloway, Danny Rampling, Paul Oakenfold and Trevor Fung experienced the delight’s of Alfredo weaving magic on the White Isle and brought back their ideas to the London clubscene, is a familiar tale, often recited religiously in club culture publications like Mixmag. The author gives a comprehensive account of the beginnings and it was great to hear the true story and what bliss these guys must have experienced. Shoom, Spectrum and the Milk Bar launched successfully and the early adopters were soon welcoming new ‘Acid Teds’ and a hippy revival based on lush house electronica began to hit the mainstream. The book looks at London and Manchester in detail as well as exploring some of the less likelier destinations of UK club culture like Blackburn and later the countryside free party and rave movement. The study of the fracture of dance music into its various sub-genres and the movement of people that followed each branch provides much analysis and we see Warehouse parties, techno anarchists, drum and bass division and later the emergence of new genres like speed garage, grime and dubstep. The book focuses a lot on the role of narcotics in this new ascendant youth culture. The critical importance of ecstasy (MDMA) to the whole movement which eventually led to a massive increase and normalisation of drug culture across the country, with polydrug use becoming popular and clubbers and ravers exploring acid (LSD), cocaine, heroin, ketamine, amphetamines and the various different types of cannabis. It’s amazing how much anti dance music propaganda was spread by the media. Governments were scared and there was a great deal of legislation set up to counter the whole movement. Enlightened masses were a danger to the establishment and the whole culture was seen as an alternative political situation. The long-running battles between promoters, DJs and the UK Police was interesting and it was noted by Police fighting the organisers of parties that these people ran their operations like military units and were very effective at getting their events into successful fruition. I don’t think I’ve read a better and more comprehensive book on the history of dance music in the UK, and whereas the initial boom period may now be over, dance music is certainly in the mainstream day to day lives of the UK to this day and will be for a long time into the future. I think that it is important and inspiring to learn about the history of the greatest mass cultural movement, in my opinion, that emerged in the twentieth century.